Audio/Music Production for Visual Media Self-Assessment

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* 1. In the typical production workflow of animation features, dialogue is recorded:

Before the animations are created

By the animators while they create the animation

After all the animation is completed

None of the above

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* 2. The most commonly-used audio format in audio post-production for film and TV is:

44.1k/16-bit AIFF

48k/16-bit AIFF

320kbps MP3

48k/24-bit WAV

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* 3. If, during a location shoot, there is an outside noise audible in the dialogue audio tracks:

The dialogue may have to be replaced

The dialogue recording may be “cleaned up” afterwards

The performance may be unusable

All of the above

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* 4. Techniques and workflows applicable to film and TV audio production are applicable to:

Video game production

Animation feature film production

Music production

All of the above

None of the above

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* 5. Music “temp scores” are created by:

The music editor

Prospective composers

The music supervisor

The picture editor

All of the above

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* 6. If a Pro Tools session is at the wrong sample rate:

The session is faulty and work must be done again from the beginning in a new session at the correct sample rate

The session can simply be switched to the correct sample rate

The session can be converted to the correct sample rate using “Save copy in…”

As long as the external clock is at the correct rate, it doesn’t matter

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* 7. Sound effects in visual media such as film and TV are:

Edited together from libraries of existing sound effects

Created from scratch using synthesizers and sound generators

Recorded “in the field”

Performed in a recording studio

Recorded on location during the shooting of the film

All of the above

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* 8. Standard definition NTSC video runs at:

24 frames per second

25 frames per second

30 frames per second

29.97 frames per second

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* 9. Music heard in a film or TV production:

Can be created specifically for the project

Is royalty-free if the project is only streamed on the Internet

Is used only in “musicals”

Is licensed from existing recordings

All of the above

"Can be created specifically for the project" and "Is licensed from existing recordings"

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* 10. A QuickTime video in a Pro Tools session runs at a frame rate different from the session setting. Unless the Pro Tools session is adjusted to match the QuickTime video:

The video will be at the wrong speed

The audio will be at the wrong speed

The Pro Tools counter will be inaccurate, but the video will play

It is not possible for Pro Tools to be set differently from the QuickTime video in the session

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